Banned Books Week

Better late than never, I guess. The annual celebration sponsored by the American Library Association (ALA) began on Saturday and runs through the rest of this week. I abhor censorship in all of its forms and so I look forward to this celebration each year. We have a display of frequently challenged/banned books in our library along with lists that patrons can pick up. I particularly enjoy talking with the patrons who come in and are shocked to see certain books on the list. I hear the same things every year. "Why is this on there?" "That's my favorite book!" "I remember reading that when I was little." So, I strike up a conversation and talk about how usually well-intentioned people find something offensive in the books and take it upon themselves to try to remove the book so that no one can access it.

Don't get me wrong, there are some things that I would not care to read for various reasons (other than poor writing). I don't shock easily, but I know of a few books that I would probably pass on. However, I know that there are some people who may enjoy reading the very book that I may find offensive. It doesn't give me the right to attempt to keep those people from reading that book. When it comes to children, their parents are the only ones who should decide what is or is not appropriate for them until they are old enough to make those decisions for themselves. As a democratic society, we should never fear information. Banning books is just ignorant.

There's only one thing I wish ALA would change about this yearly celebration -- the name. You'd be amazed at just how many people think that we're promoting banning books because of the name. Yes, the name does get your attention, but some people don't get it. So, I spend a great deal of time explaining to people that we're promoting freedom to read -- not censorship.

Here are a few links for you to check out if you're interested.

ALA Banned Books Week

Banned Books Online

Amnesty International Banned Books

Banned Books and Censorship

Book Burning (Wikipedia)

Book Burning (Nazis)

Book Burning in the 21st Century

What's Going On?

O.K., this is a strange post, I know. But, I've been trying to access the RIP III site and keep getting a message that says,

"My apologies, however, it doesn't appear you're supposed to be here. Let me know if so."

Is anyone else having trouble accessing Carl's site? Or is it just me? Any help will be appreciated. I would just email Carl, but I don't have his email address. I always just go directly to the site.

How Fiction Works by James Wood

As you can tell by my reviews on this blog, I'm not a big nonfiction reader. However, I do branch out a little every once in a while and read something out of the norm. This is one of those occasions in which I'm glad I did take a chance on something I wouldn't normally pick up. The author looks at specific pieces of literature and discusses why they work or don't work (in his opinion). He discusses all the aspects of fiction writing. However, it's his discussion of character and point of view that interested me the most. I'd like to think that I'm an astute reader, but I realized while reading this book that maybe I'm not all that astute after all. It was really interesting to see how much of a difference it makes when something seemingly minor is changed. I won't go into any great detail with this. However, if you're at all interested in the subject matter, this is a great little book.

I have a stack of about 25 books on my bedside table at the present, but I haven't decided what I'm going to read next. I have a couple of book club meetings coming up in the next week so it will probably be one of those. I actually haven't been reading quite as much as normal because I've been working on knitting a pair of socks. It never fails, as soon as the first hint of autumn rolls in, I'm ready to start knitting again. If I get really brave one day, I may even post a picture.

The Turn of the Screw by Henry James

Though I hadn't initially chosen this as one of my potential reads for Carl's RIP III challenge, I picked it up at the suggestion of some other bloggers who said this would make a great selection for this challenge. I'm so glad I listened. This is more a novella instead of a full-length novel, but it packs quite a literary punch. It also falls into the category of psychological ghost story just as The Haunting of Hill House does. The main character is a young woman who is hired as governess for two young children at a country estate. The situation is strange from the beginning when her employer, the children's uncle, says that he doesn't want to bothered at all with their care and upbringing. She is to take full and total responsibility and not bother him with anything. It's obvious from the way the governess acts that she is infatuated with this wealthy, mysterious man though she only meets him a couple times.

Upon arriving at Bly, the country estate, she is pleased to find that the little girl in her charge, Flora, is angelic. She worries somewhat about the girl's older brother, Miles, who she meets shortly thereafter when he returns on holiday from boarding school. However, her fears are quickly relieved when she sees Miles for the first time. Like his sister, he is also a beautiful, innocent child. The governess throws herself into her duties and enjoys herself immensely.

However, it isn't long before strange things begin to happen. She is out walking one evening at dusk and suddenly sees a man standing on one of the old towers of the house staring ominously at her. He never speaks and never approaches her and disappears as quickly as he appeared. She is startled by this but chooses not to say anything to Mrs. Grose, the housekeeper, or anyone else for that matter. She wants to fulfill her duties as the person in charge at Bly. So she tries to convince herself that the man was probably just a stranger who wandered onto the estate out of curiosity. He appears again some days later staring in a window of the house as she enters the room. She's so frightened this time that she does tell Mrs. Grose about what she has seen. After she describes the man in great detail, the housekeeper says that she knows who he is -- the deceased assistant to the master, Peter Quint. The governess also tells Mrs. Grose that she knows he was not looking for her but for Miles. She's not sure how she knows this, but she does.

To add to the mystery and unease, she receives a letter from the headmaster at Miles' school saying that he is not welcome to return after the holiday. Again, instead of investigating further, the governess simply decides to ignore the situation because she feels that Miles is too good of a little boy to attend a boarding school like that in the first place. She'll see to his education at the present and deal with finding him a suitable school later. All seems well until the mystery deepens once again when a woman begins to appear to the governess, as well. From her appearance, the governess assumes that this is the children's former governess who died earlier. She describes her as evil incarnate. Following these revelations, the housekeeper reluctantly tells the governess that Miss Jessel and Mr. Quint had had an affair and that they spent a great deal of time with the children. In fact, she says that Mr. Quint showed an "unnatural" interest in Miles. Knowing all of this, the governess believes that the ghosts of Mr. Quint and Miss Jessel have returned for the children. The governess takes it as her personal duty to protect these children who may have been corrupted by these two when they were alive and now have come back for them in death.

The tension quickly builds throughout the story as the governess struggles to maintain her sanity while trying helplessly to protect the children. I won't say much more about the story and what happens because it would definitely take away from the experience of reading it for the first time. I read some critical commentary after reading the book, and it seems that there is a great deal of disagreement among critics regarding what 'really' happens in the book. Just like in the Haunting of Hill House, there is a question as to how much of what is happening is really happening and how much of it exists in the mind of the governess. Again, I won't go into great detail, but it's interesting to see both sides of the argument. For me, I like to think that it really happens the way the governess relates it. It just makes a better story. But, you be the judge.

The Haunting of Hill House by Shirley Jackson

This is my first official selection for Carl's RIP III challenge. I had originally included Outer Dark by Cormac McCarthy in my pool of titles, which I read and reviewed last week. However, after reading it, I decided not to include it in my RIP III challenge because I didn't really like it. I know that shouldn't matter, but I don't want to include any books that I don't like in this challenge. Since I only committed to reading two books and I've got until October 31, I have plenty of time to change my mind if I want to.

Now, on to The Haunting of Hill House. This is the perfect book for this challenge. It's deliciously dark and spooky. It's not blood and guts horror. According to the introduction of the Penguin Classics edition that I read, it is considered a psychological ghost story. I have to admit that I think that designation is spot on. The book deals with the terror that can often come from our own mind. There are four main characters, which include Dr. Montague, "an occult scholar looking for solid evidence of psychic phenomena;" Luke who is in line to inherit Hill House; Theodora, a young woman who doesn't reveal much about her private life; and Eleanor Vance. Eleanor has taken the car she shares with her sister and fled to Hill House without letting anyone know where she's going. Eleanor lives with her sister, sleeping on a cot in the baby's room, following the death of their mother. Eleanor spent over a decade caring for her mother who showed no affection or care for Eleanor whatsoever. In fact, Eleanor feels as though she's never belonged anywhere and has never really been loved by anyone.

Eleanor has a very rich interior life, which the reader has access to throughout the book. On her way to Hill House, she indulges multiple fantasies about what her life could be like. She envisions herself living in an enclosed garden and in a large house with lion statues guarding the front of the house. The reader gets the sense early on that Eleanor is in a fragile emotional state, but she's not crazy.

Everyone expects this to be a fun escape from their everyday lives. However, things soon turn serious when Hill House begins to show its true colors. Jackson does such a good job of building suspense and a sense of foreboding as the novel progresses. As the unexplained continues to happen, Eleanor begins to question herself and the other inhabitants of Hill House. The line between reality and the supernatural is blurred to say the least. The reader senses Eleanor's struggle to figure out what's going on around her. At one point, she wonders why the others can hear what's happening when it's going on inside her head.

I won't say more for fear of ruining this for any of you haven't read it. Let me just say that it's a great book and absolutely perfect for this challenge. I read We Have Always Lived in the Castle by Jackson, which I really liked, as well. I'd be hard pressed to decide which I liked best.

Twenty Wishes by Debbie Macomber

This is the fourth book in the Blossom Street series by prolific author Debbie Macomber. The series began with The Shop on Blossom Street and continued with A Good Yarn and Back on Blossom Street. I was first intrigued by the series because of the knitting connection. Just like I love to read books about books, I also love to read books that have references to knitting. I'm not a master knitter by any stretch of the imagination, but I do love to knit. I've read and enjoyed each of the books in the series. They are light, fun, quick reads with a little more depth to them than many books in the same category. I have to admit that I was just a little disappointed in this latest installment. Lydia, the yarn store owner from the first couple books, barely made an appearance at all. In fact, the characters from the first several books were mentioned in passing but were not the main characters for this book. Instead of the series being focused on Lydia and the yarn store, it seems that Macomber is introducing a new store owner from Blossom Street with each new book. This is not really a criticism but more a misunderstanding on my part from what I thought the series was going to be.

In this book, we meet Anne Marie who owns a bookstore on Blossom Street. She's 38 years old and recently widowed. She'd married a much older man who had a family from a previous marriage. At the time of their marriage, Anne Marie didn't think that would be a problem for her. However, as the years passed she found herself desperately wanting to become a mother. She's now dealing with the death of her husband and trying to come to terms with the fact that she'll probably never have a child of her own.

The title of the book comes out of a Valentine's Day party held at the bookstore for several of her friends who are also widows. Though they come from different backgrounds and lifestyles, the women share the fact that they're all recently widowed. As each woman struggles to come to terms with her situation, they decide that they'll each make a list of twenty wishes -- not goals, but simply wishes. This was a way to rejoin the world of the living and look towards the future. I was actually intrigued by the idea of making a list of wishes. We all have things that we would love to be able to do at some point in our lives. I haven't actually started a list, but I have thought about a few things that I might include, such as going to Scotland. I dont' know if it'll ever happen, but it's nice to think about anyway.

As I said earlier, I enjoyed the book but was a little disappointed that there were few references to knitting and that so many new characters are introduced with few appearances from characters from previous books. Many of the individual story lines in the book ended predictably, but I didn't mind that all that much. I guess I'll wait and see what happens when the next book is published, but I'm not sure that I'll continue reading this series at this point.

Outer Dark by Cormac McCarthy

I'm not sure exactly where to start with this one. I can't really say that I enjoyed this book. I really thought I would from the blurb on the back of the book, but it wasn't to be. I haven't read anything else by McCarthy so I don't know if this is typical of his writing or not. If it is, I probably won't be reading any more of his work. The story is about a young woman who has her brother's baby. There's no background information to explain how they came to be alone or why they're living in this remote cabin in the middle of nowhere. The reader isn't told whether the brother rapes his sister or whether she consents to sex with him. All this happens before the story begins. He's afraid that someone will find out about their secret and so he won't call anyone to help her when the time comes to deliver the baby. In reality, I don't think he wanted anyone to be there to witness what he does. After his sister falls asleep, he takes the baby and leaves him in the woods and tells her that the baby died. She soon discovers his lie. While she spends the rest of the book looking for her son, her brother is searching for her. I'm not squeamish, but I could see how some people would find this book more than a little disturbing. There is quite a bit of senseless violence without any redemption. Don't worry about spoilers with this one -- because there really is no plot. Like I said, this one is hard to describe.